The Celtic Cross is the most well-known tarot spread and also the largest available here, involving ten cards. This spread begins with a pair of crossing cards at the center of the issue, essentially being two significators. When two significators are involved, they may strengthen or oppose each other, which speaks of the nature of the situation. Above and below the initial cross, we have two cards which are symbolic of the intellectual (top) and emotional (bottom) basis of the issue. The Before and After cards show the past and immediate future.
At the right, four cards are laid out, going upward. At the bottom you have a card representing yourself, and the next card shows how others may affect the situation. Card #9 indicates what you may be hoping for, or possibly, what you hope will not happen. Finally at the top is the outcome, meaning the distant or ultimate future.
The Crown |
The Outcome  9 of Wands
External Forces  Judgement
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The Recent Past  3 of Wands |
The Crossing Card
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The Future  5 of Pentacles |
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Queen of Swords
Her right hand raises the weapon vertically and the hilt rests on an arm of her royal chair the left hand is extended, the arm raised her countenance is severe but chastened; it suggests familiarity with sorrow. She is a bitter, unmerciful oppressor of those who fall under her reign.
Reversed Meaning:
Malice, bigotry, artifice, prudery, bale, deceit, infidelity, cheating, lack of moral values.
9 of Cups
A goodly personage has feasted to his heart's content, and abundant refreshment of wine is on the arched counter behind him, seeming to indicate that the future is also assured. The picture offers the material side only, but there are other aspects.
Upright Meaning:
Concord, contentment, physical ,; also, victory, success, advantage; satisfaction for the Querent or person for whom the consultation is made.
King of Cups
He holds a short sceptre in his left hand and a great cup in his right; his throne is set upon the sea; on one side a ship is riding and on the other a dolphin is leaping.
Reversed Meaning:
Dishonest, double-dealing man; roguery, exaction, injustice, vice, scandal, pillage, considerable loss.
Temperance
An androgenous angel mixes fire and water in the act of performing spiritual alchemy. Her left foot is on land, as her right dips into the sea.
Upright Meaning:
Moderation, frugality, management, accommodation, accomplishment, etiquette, ritual, formulate, develop, heighten, perfection.
3 of Wands
A calm, stately personage, with his back turned, looking from a cliff's edge at ships passing over the sea. Three staves are planted in the ground, and he leans slightly on one of them.
Reversed Meaning:
The end of troubles, suspension or cessation of adversity, toil and disappointment.
5 of Pentacles
Two injured people in a snow storm pass a well-lit church.
Reversed Meaning:
Disorder, chaos, ruin, discord, profligacy, injury, hurt, harm, jealousy, vagrancy, underdevelopment.
7 of Pentacles
A young man, leaning on his staff, looks intently at seven pentacles attached to a clump of greenery on his right; one would say that these were his treasures and that his heart was there.
Reversed Meaning:
Somebody trying to borrow money and the anxiety that this spawns; altercation, quarrels, haggle, bad deal, rip-off, pestering, entice, con, beguile, coax, bait and switch.
Judgement
An angel in the heavens blows a trumpet, calling the dead to rise from their graves.
Reversed Meaning:
Weakness, simplicity, deliberation, decision, sentence, lawsuit, loss, condemnation.
3 of Pentacles
A sculptor at his work in a monastery. Compare the design which illustrates the Eight of Pentacles. The apprentice or amateur therein has received his reward and is now at work in earnest.
Upright Meaning:
Artifice, trade, skilled labour; regarded as a card of nobility, aristocracy, renown, glory.
9 of Wands
The figure leans upon his staff and has an expectant look, as if awaiting an enemy. Behind are eight other staves – erect, in orderly disposition, like a palisade.
Reversed Meaning:
Obstacles, adversity, calamity, troubles.
